Friday, November 14, 2025

OPEN CALL: The Periodic Table of Poetry!

 Hello and Happy Poetry Friday! Be sure to visit Carol at The Apples in my Orchard for Roundup.

Exciting news: The Periodic Table of Poetry, a middle-grade poetry collection with poems selected by Irene Latham and Charles Waters, will be published by Lerner in 2028...and we want your poems! See the graphic for details...and I've also typewritten everything below. (You may also receive an email with the same information!) We are so looking forward to reading your work!!


OPEN CALL - PREPARE YOUR POETRY ENTRIES NOW FOR THE SUBMISSION WINDOW COMING UP FROM DECEMBER 6th - DECEMBER 9th. 


Hello, Poets! Send us your 3 BEST/FAVORITE original, unpublished poems for possible inclusion in a new anthology curated by Irene Latham & Charles Waters!


Irene Latham and Charles Waters, also known as I & C Construction Company, are an established writing & anthology team with multiple aims and commitments – including projects showcasing exceptional poetry for children created by diverse contemporary poets. We have been creating books together since 2015. 

In addition to jointly written titles such as Can I Touch Your Hair? Poems of Race, Mistakes, and Friendship and Dictionary for a Better World: Poems, Quotes, and Anecdotes from A to Z, our published anthologies include: The Mistakes That Made Us: Confessions from 20 Poets (Lerner, 2024), If I Could Choose a Best Day: Poems of Possibility (Candlewick, 2025) and For The Win: Poems Celebrating Phenomenal Athletes (Lerner, 2026). So far, our combined books have made twenty-six state lists. 


We’ve got an exciting new project, and we’d love for you to participate. 


THE PERIODIC TABLE OF POETRY

Published by Lerner, Spring 2028 

Illustrated MG poetry anthology for ages 10 and up


Blurb: Discover the art and craft of writing poetry in a brand new way: through an exploration of 25 elements selected by Irene Latham and Charles Waters. From basics like line & stanza to more complex elements for wordplay, impact, and sound; this fun, unique guide features poems that exemplify each element to illuminate the joys of reading and writing poetry. 

 

About the Book: The premise of this book—the elements of poetry presented as a periodic table—was originally conceived by one of our poetic heroes, Paul B. Janeczko (1945 - 2019), but he was unable to complete the project before his death. We miss him tremendously and are committed to carrying forth his work as children’s poetry anthologists. We couldn’t be more deeply honored that Nadine, his widow, and Emma, his daughter, have allowed us to step into Paul’s idea, expand on it, and make it our own. Our aim is to provide a comprehensive look at what makes poetry poetry—and perhaps inspire people of all ages to experience the joys of reading and writing poems. Here’s to you, PBJ!


What we’re looking for:

Your BEST/FAVORITE poems!

Original & Unpublished (no AI).

Any topic or type.

1-3 poems, no more than 60 lines TOTAL.

Payment $50 per poem accepted for publication in the anthology.

(We expect the collection to have 55 - 60 poems.)

First time rights only.


We’ll be searching for poems to serve as examples for the 25 poetic elements we’re featuring….basic elements like BREVITY (send us your shortest poems) and WHITE SPACE (send us something that uses white space in a compelling way)...impact elements like IMAGERY, EMOTION, SURPRISE. (Send us your poems that pack a punch!)...wordplay elements like ALLITERATION, METAPHOR, HYPERBOLE, and more. (Send us your playful poems that feature excellent use of these elements!)...and sound elements like RHYTHM, RHYME, and METER. (Send us your form poems, your funny poems, your re-readable poems!)


No need to “match” your poems to particular elements in your submission. Just send us your best/favorite 1-3 poems, and we will decide where it might fit into our collection. However, if you feel one of your selected poems is a great example of a poetic element, feel free to mention that in your submission!


Note: The submission window will only be open for 72 hours, from Saturday December 6, 2025 at Midnight (Eastern Time) to Tuesday December 9, 2025 at Midnight (Eastern Time). 

**PLEASE DO NOT SEND YOUR POEMS BEFORE THE DATES AND TIMES OR AFTER THE DATES AND TIMES LISTED AND ONLY TO THE EMAIL ADDRESS PROVIDED BELOW, OR WE WILL DISREGARD YOUR ENTRIES**


At that time, please send us 1-3 poems, no more than 60 lines TOTAL.

A 50-60 word short bio.

Your contact information.


Submission link: lathamandwaterssubmissions@gmail.com

Subject Line: From YOUR NAME - Submission

Note: Poem(s), bio, and contact information in the body of the email. No attachments


We will respond to all submissions by January 31, 2026.

-------------------------

Also: this time next week I'll hopefully be at NCTE! Here's my schedule:


This week's ArtSpeak: PICASSO features a mother and child. I was struck by the art, I think because I recently read The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma by Bessel van der Kolk, M.D. 

This book has really impacted me. Children who don't experience faithful love and care from the parental figures they are born to or land with suffer throughout their lives in a multitude of ways. The book suggests that if we want to "fix" our society, we need to teach parents how to give children this kind of open, abiding love...and this would eventually result in less foster care, addiction, mental illness, incarceration, etc. The book is a powerful read, and I highly recommend it!

As for the poem itself, I thought about "Mother to Son" by Langston Hughes—and almost titled it "Son to Mother." But I didn't want to bring gender into the poem... and that title might have been interpreted as a response poem, and it's not...though now I want to—and will!—write a response poem. Ha!

Instead, I decided to lean into the way our bodies often speak without words...especially children, yes? Youngsters who, before they learn the words, try their darnedest to communicate with us using their bodies and behavior. 

The end finds me again playing with the repetition of a single word. Here, my hope is that with the second "yawning," the meaning of the word shifts from "gap" to "sleepy." Thanks so much for reading!


Words Hidden in a Child's Hug

Tell me you love me

Tell me you'll always be

         here


         Fold me, hold me

         kiss my brow


For my body may be small

but my heart

is a deep cavern

          yawning

          yawning


- Irene Latham

No comments:

Post a Comment

Your thoughts?