This book is full of inspiration, and fun stuff to add to your poetry arsenal... Welcome, Marjorie!
The delicious:
MM: Poetry and play, poetry and prompts—it’s all delicious, isn’t it? In Inside Out: Poems on Writing and Reading Poems with Insider Exercises, we begin by stepping inside the poem and using every one of our senses: sight, smell, taste, touch, and hearing. A heaping plate of ideas for tweens, teens, teachers, parents, and poets of any age, Inside Out invites you to play and ponder using poetry’s most scrumptious ingredients.
Here’s one to get both your taste buds and your thinking cap tingling!
How to Taste a Poem
The table’s well set, but please
come as you are. No need for white gloves
or black tuxedos. Pass the appetizer plate
to your left and try a lightly fried haiku
or lemon-peppered limerick. Nibble away
as you would a jumbo shrimp stuffed with oxymorons.
For an entrée, may we suggest a well-done ode
or an Italian sonnet smothered with marinara sauce?
Now, sit back and savor the syllables
until your taste buds plump with flavor,
but leave room for dessert—
aged alliteration topped with assonance and consonance:
a sugary smorgasbord of simply scrumptious sounds.
- Marjorie Maddox
Follow this up with a linked writing exercise, and get ready to create your own mouth-watering poems. Or stinky-smelling poems. Or itchy-scratchy feeling poems.
If you’re ready for sounds and more sounds, give this one a try:
Alliteration Acrostic
Always repeat the initial sound.
Listen to what the letters say, then
Let your ears do the talking.
If sound and sense dance, dance with them.
Turn up the volume,
Enter into the rhythm,
Relish the repetitions.
Answer S with S,
T with T,
Increasing your skill with patient practice.
Only avoid the often annoying avenue of
Not adding additional apt alliterative and assonant options to an acrostic.
- Marjorie Maddox
Or this one:
Onomatopoeia
Bash, crash, smash—
Onomatopoeia makes his splash of sound
with each squishy step or booming pound
 |
| Margie with Gizmo |
of movement. He moans, hisses, murmurs, swishes
his way across the poem.
Boisterous, he usually forgets to whisper.
Instead, he shakes, rattles, and rolls his bellowing voice
until each letter shivers with anticipation
at what soon will be darting, soaring, or swooping
noisily toward the ear.
- Marjorie Maddox
There’s plenty to see, hear, smell, taste, and touch inside Inside Out. Come on in!
The difficult:
MM: But maybe you’re someone who only feels so-so about poetry. Maybe you even HATE IT! That’s Ok. This book is ALSO for you, maybe even especially so! Why, you ask?
After more than thirty years of teaching poetry at the university, secondary, and primary levels, I’ve got a few things to say about that. In fact, that’s one of the big reasons I wrote Inside Out! For one, poetry shouldn’t be about finding some secret key to unlock some hidden meaning—especially for young or new writers. It should be fun, plain and simple.
And it should be exciting. And challenging, but in a way that motivates you to climb faster and higher, to get the best-ever possible view—or, alternatively, in a way that inspires you to slow down, stare a while longer at the world around (or within) you.
Talk about invigorating! Inside the poem, there’s a lot to see and discover. Don’t be afraid to get up close and personal. As I say in “How to Touch a Poem,” “This is a hands-on operation—/the more fingerprints, the better.”
What else? Inside Out makes easy what some might label “difficult”— iambic pentameter, sonnets, villanelles, clerihews, triolets, sestinas, and more. Don’t let these formal sounding words scare you off! Stripped of their fancy names, they’re just word puzzles and silly riddles. They’re more ways for you and your friends to have fun! Here’s what I mean.
Getting Ready with Iambic
Iambic likes to clack un-stressed, then stressed.
He taps it like a drum when he gets dressed.
He chomps it when he eats his toast and jam,
then struts to class like he’s a marching band.
To walk with him you need to keep his beat.
Five times unstressed, then stressed equals five feet.
Get ready for a marching metered day—
Pentameter’s his favorite game to play.
- Marjorie Maddox
So if marching to iambic, texting a triolet, or fishing with sestinas, sounds like fun, you’re right. They are!
The unexpected:
MM: Sometimes when you throw out that fishing line of words, you catch a whole lot of unexpected ideas! As I say in “Fishing with Sestinas”
...Let’s dream
this water together, this lake of dreams
brimming full of rainbow, rhyming fish/
that glitter as they leap...
To me, one of the greatest joys of writing is what you discover along the way. Inside Out is a way to share that joy with you. To help in the discovery process, I’ve included 9 interactive exercises that you can do on your own or with others. It’s a bag of word tricks to get you rocking, writing, and, of course, discovering the unexpected. Can’t wait to see how you’ll surprise yourself with some new-found poetic acrobatics!
Anything else:
MM: I write poetry, fiction, creative nonfiction, and children’s literature. My first poem was published in Campfire Girl Magazine when I was eight, and I am the great grandniece of Branch Rickey, the General Manager of the Brooklyn Dodgers, who helped break the color barrier by signing Jackie Robinson to Major League Baseball. I am a university professor, who gives workshops and readings around the country, including at elementary, middle, and high schools. I have published over seventeen books, including 4 for children or teens.
Some additional links of interest:
Thank you, Marjorie, for livening up this post with your enthusiasm for poetry! I know many will enjoy this new book.
And now... my latest ArtSpeak: RED poem, after "Castle and Sun" by Paul Klee. I guess I've got summer on my mind... wishing everyone a beautiful first-weekend-of-summer Memorial Day!
Geometry of Summer
each day
a red circle
each night
safe inside a square
each dream
a triangle reaching for rain
- Irene Latham
