Friday, March 27, 2026

Celebrating TWILIGHT with Marcie Flinchum Atkins!

Hello and Happy Poetry Friday! Be sure to visit Marcie for a WHEN TWILIGHT COMES Poetry Friday Roundup! It's an enchanting bit of loveliness, according to the starred Kirkus review. Of course it is; Marcie wrote it! I can't wait to get my copy in the mail.

Quick announcement: this week's Tuesday 2-Minute Writing Tip 32 "The Truth about Book Awards" shares some thoughts from my experience serving on multiple book award committees over the past decade. Enjoy!

When Marcie asked us all to flood the internet with images and poems about twilight, I immediately searched my computer files. I found some "twilight" poems, but even more "dusk" poems! Apparently, my poet-brain prefers "dusk." 

That discovery sent me on an internet search to find the difference between twilight and dusk. (Spoiler: dusk is simply one phase of twilight, defined by the degree to which the sun has set!) 

Then I searched my own files again for "sunrise" and "sunset" and found quite a few of both. Here's a small sampling. 

Poem Found in a Ditch at Dusk

Twilight Time

Impression (of a Sunrise)

Alabama Sunrise Trinet

Recipe for a Sunset

(Elephant) Dust Bath at Dusk (from Dear Wandering Wildebeest: And Other Poems from the Watering Hole by Irene Latham, illus. by Anna Wadham)



(Elephant) Dust Bath at Dusk

Dust Bath at Dusk


Trunks become
dust hoses,
beasts strike poses

and preen in silhouette
created by the late,
hazy screen.

Soon skin
is powdered
in a red-grit shower

that banishes bugs
and becomes next day's
sunscreen.

One final
wallow,
one last trumpet--

all clean!


- Irene Latham



"How to Catch a Poem" (featuring dusk-y fireflies and found in The Proper Way to Meet a Hedgehog: And Other How-To Poems selected by Paul B. Janeczko, illus. by Richard Jones). Confession: this is a favorite of my own poems!

How to Catch a Poem

Step into the trees 

on a summer night —


follow starshine 

and cricketsong.


Be still, keep quiet; 

watch for the flicker.


(No chasing,

let it come to you.)


Reach. Hold it in the safe 

cave of your fingers


until the wings tickle.

Marvel at the glow


                            then


let it go.




- Irene Latham


---

AND I decided to write a new twilight poem for this week's ArtSpeak: WOMEN...only it morphed as poems do...and again with "dusk!"

The art is by abstract expressionist Joan Mitchell.  I wanted to play with punctuation and repetition. Once again, I used the title of the piece (Blue Tree) as my jumping-off place. Thanks so much for reading! 

Mama Tree Teaches Little Tree / the Color of Time


See / Little Tree?


Dawn tree / pink tree


Noon tree / green tree


Dusk tree / blue tree


Sweet dreams / Little Tree!



- Irene Latham

Friday, March 20, 2026

Poetry + Art = Some Starry Night by Irene Latham

 Hello and Happy Poetry Friday! Be sure to visit Tanita S. Davis for Roundup.

First: this week's Tuesday 2-Minute Writing Tip 31 is all about Writers & AI. Find out how I'm using AI, and how I'm not.


Second: I'm thrilled to be teaching another poetry webinar over at Inked Voices! Last year I tackled punctuation in poetry. This year I'm talking about one of my most favorite elements of poetry: surprise! Join me to learn "8 Ways to Wake Up Your Poetry: How to Create Surprise, Tension & the Unexpected Inevitable." Monday, April 27, 2026, 3 pm CST. Click to register. 

I'll also be offering a limited number of poetry consultations in conjunction with this offering. So, if you need encouragement and/or feedback, I'm excited to help.

Third: My first novel for adults is coming next month from Historium Press! It's a blend of history and imagination that explores the lives of Vincent van Gogh and Emily Dickinson and answers the question: What—or who—inspired The Starry Night?

Y'all, I have long wanted to write a big, bittersweet love story...and now I have! I loved communing with Emily and Vincent.

 That question you've heard about your ideal dinner party? Emily and Vincent are certainly at the top of my guest list! And this book is all about me exploring how a chance meeting between these two brilliant souls might change their art, their lives, and...US. It includes poems, letters, history, magic, mystery...and did I mention I loved writing it? I also got to write some poems for the book in the style of Emily Dickinson.. a whole series called "The Paris Poems by Emily Dickinson." More on this soon!

For a limited time, the publisher is running a pre-order special on the e-book: 99 cents! I really, really hope you like it. 

Finally, my ArtSpeak: WOMEN piece this week features a Warhol-esque piece by Elaine Sturtevant. (I'm still working my way through the Harper's Bazaar list of women artists!) Sturtevant was known for her repetitions, particularly of Warhol's work. That got me thinking about repetition in nature, repetition in gardening, van Gogh's repetition in his art, and repetition in poetry...and then I had to stop! Because there are worlds within those worlds, and my get-to-do list is long. So I stopped myself at two (love!) poems, which I offer to you today. Thanks so much for reading.


May garden

the way my heart flares each time

I remember you


- Irene Latham



Repetitions


Ten thousand—

That’s how many times

a child mounts a bike

when learning to ride


A gardener in Hawaii

may plant ten thousand

hibiscus

to unify a garden


Your favorite artist paints

the same sky

ten thousand times

without moving on


No wonder

I whisper I love you

ten thousand times each day,

knowing ten thousand

will never be

enough.


- Irene Latham


Friday, March 13, 2026

In the Grip of the Ice by Doraine Bennett *GIVEAWAY*

 Hello and Happy Poetry Friday! Be sure to visit Linda at TeacherDance for Roundup.

This week's Tuesday 2-Minute Writing Tip 30 is for fiction writers, about leaning into fear when you're creating a plot. I hope you find it useful!

And now I'm excited to welcome my dear friend Doraine Bennett to the blog to respond to some simple prompts as they apply to her brand-new verse novel In the Grip of the Ice (Bandersnatch Books, 2026). 

What's it about?

According to Kirkus: "A teenage stowaway records the disastrous course of Sir Ernest Shackleton’s 1914-1917 Antarctic expedition."

Here's the blurb I provided after reading the ARC: "Stow away for a few hours in these pages to experience a dark, frozen world that—thanks to Bennett's deep research and vivid poetic voice—radiates warmth, humanity, and hope."

*Leave a comment below to be entered to win a signed copy of the book! Entries open thru 11:59 pm Monday March 16. Winner announced here on the blog Friday March 20!

I remember Doraine reading snippets of this work in progress years ago, so it's especially fun to see it now in book format, soon to be in readers' hands! Here's the opening poem:


Welcome, Doraine!

FRESH 

DB: This manuscript has languished for a long time, collecting digital dust in a virtual drawer. I discovered Bandersnatch Books in the summer of 2024 when they sent out a call for submissions. They specialize in books that are a little off the beaten path—stories traditional publishers often don’t have room or time for—and they are especially interested in works that bridge the reading space between middle grade and young adult.

In January of 2025, I received word that they wanted to publish my book. For a while it felt like a dream. Bandersnatch is a small press that publishes only five books a year, so I was absolutely thrilled.

When Shackleton’s ship, Endurance, was discovered beneath the ice of the Weddell Sea in 2022, interest in the expedition—and in Shackleton’s remarkable leadership that ultimately brought every man home—was reignited around the world. The wreck was found nearly 10,000 feet below the surface, less than two miles from the location the ship’s navigator, Frank Worsley, had recorded when it sank 107 years earlier. 

More than a hundred years later, the story still has the power to capture our imagination. My book returns to that remarkable expedition through the voice of the young stowaway who secretly climbed aboard the Endurance—a nineteen-year-old who had no idea he was stepping into one of the greatest survival stories ever told.


DIFFICULT

DB: The most difficult aspect of writing In the Grip of the Ice was piecing together the journey from the journals the men left behind. Every story has many angles of vision. Each man recorded what he saw and felt in the moment, and those perspectives don’t always align neatly. The events remain the same, but the story bends slightly depending on whose voice is telling it.

https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffd233d2f-5a0b-4200-ad67-7faa9195618d_320x240.jpeg
Doraine's office wall while trying
to make sense of the story.
Some men wrote about the brutal cold. Others about the work of hauling sledges. Still others about the strange routines that developed as the ship drifted in the ice for months—reading aloud, playing games, writing letters home that might never be sent.

My task was to gather all of those voices and wrangle them into a single, coherent narrative while still honoring the human experience inside the journals.


DELICIOUS

DB: Poetry is delicious. It compresses language until every word has flavor. A single image can carry the weight of an entire scene.

When I began writing In the Grip of the Ice, I discovered that poetry was the best way to hold the fragments I found in the journals of Shackleton’s crew. Verse allowed me to distill moments—the groaning of the ice, the endless drift, the uncertainty of survival—into something that could carry both the event and the emotion of the men living through it.

Poetry also has a unique ability to enter the inner landscape of a character. In a few lines, it can hold fear, hope, loneliness, or courage, and invite the reader to imagine not just what happened, but what it might have felt like to stand on that vast Antarctic ice.

There was another reason poetry felt right for this story. Shackleton himself often recited poetry to encourage his men during the darkest stretches of the expedition. Telling the story in verse felt like honoring that small but powerful thread running through their journey.


IMG_7902.jpeg  

ANYTHING ELSE

DB: I love reading aloud, so sharing a few of these poems brought me so much delight when friends organized a launch party earlier this week. It was just so much fun! Poetry really does come alive when it’s spoken. Hearing the rhythm of the lines and feeling the pauses land in a room full of people made the story feel new again, even to me.

After spending so many years quietly working on the manuscript, it was a joy to hear the words spoken aloud and shared with others. For a moment, it felt as if the long journey of this book had finally found its voice.

--
Thank you, Doraine!! Y'all, don't miss this book. It's special!

For my ArtSpeak: WOMEN poem, I've chosen from the Harper's Bazaar list another new-to-me artist, Leonora Carrington. Her work is surreal, wildly imaginative, and, okay, odd. But that's what's so cool about it! I was instantly drawn into this piece from the title alone: And Then We Met the Daughter of the Minotaur. A story is happening! What is that story? It could be so many things! I highly recommend the great (short) video here from MoMA (where the piece resides)

Also, I needed a refresher on mythical creatures. Minotaur = half human/half bull. Centaur = half human/half horse. I always get those confused! 

AND...I've been thinking a lot about how this life journey is much less about acquiring things and much more about letting things go—shaving away all the not-you things until you become just yourself, and nothing else. Thanks so much for reading!




And Then We Saw the Daughter of the Minotaur

She sat like a queen woken
from a dream of flying.

Her father may have been defeated,
but that didn't stop her

from dressing in a crimson gown,
unleashing a sky full of bubbles.

You must learn to let go, she said.
Let your feelings rise like magic bubbles

then     POP!
See them shimmer, disappear.

- Irene Latham

Friday, March 6, 2026

Desert Rain poems

 Hello and Happy Poetry Friday! Be sure to visit Karen Edmisten for Roundup.

You're invited to view Tuesday 2-Minute Writing Tip 29: Small Steps Lead to Big Writing. I hope you find the message useful!

I also shared some poems over at Smack Dab in the Middle, an Invitation to Bravery for Writers. Courage comes in all sizes and seasons...

What a thrill for Charles & me to be featured on Book Breaks video series for For the Win: Poems About Phenomenal Athletes. It was fun sharing poems from the book about LeBron James (by JaNay Brown-Wood) and Eileen Gu (by Nancy Tupper Ling), in honor of her recent Olympics medals! Kaylyn Farneth has created such a special series for teachers sharing booko-love... be sure to get to know her!

Today's ArtSpeak: WOMEN features work by another new-to-me artist: Agnes Martin. I am intrigued by abstract work, which feels so mysterious to me! I lean heavily on titles of the works to help me find meaning. I instantly loved the "feeling" of "Desert Rain." Stark, yes, but also full of promise...so much unseen! It carried me to Death Valley National Park, which I have long wanted to visit in the springtime, to catch the wildflower season. 2026 is predicted to be a "superbloom" year! I wrote two poems -- one a trinet, the other a failed haiku. (Too many syllables!) Thanks so much for reading.



Trinet After Drought

Desert rain,

what winds

blew you across these mountains today?

I wish I could catch you,

carry you

like a

bride's bouquet.


- Irene Latham


Gift

Rain, forever swift of heart,

waits until mountains are sleeping

to ride in on a brisk wind

& surprise desert with flowers


-Irene Latham

p.s. I read somewhere recently (where??) that "swift of heart" doesn't mean "fast." It means "to be fully committed." I love that!!

Friday, February 27, 2026

Sports and Spiders!

 Hello and Happy Poetry Friday! Be sure to visit Margaret at Reflections on the Teche for Roundup.

This week's Tuesday 2-Minute Writing Tip 28 "Contracts, Not Handshakes" touches upon the business side of writing and includes a real-life cautionary tale.


Next Tuesday (March 3, 2026) is the release date for For the Win: Poems Celebrating Phenomenal Athletes, poems selected by Irene Latham and Charles Waters, brought to us by the good folks at Carolrhoda/Lerner Publishing Group. 

Y'all, I am not a sports person. (POETRY is my sport!) This anthology was Charles' idea, and I, pretty much always being up for a challenge, said yes! 

I do love sports stories and athlete stories (and the Olympics!), which are so like creator-stories, all full of dreams and training and setbacks and inspiration and achievement...and I love how this book showcases moments from ALL of it, not just the glory days.

So much gratitude to the following poets—and the athletes!—who were a dream to work with:

Jaime Adoff - Mookie Betts

Lacresha Berry - A’ja Wilson

Jay Brazeau - Connor McDavid

JaNay Brown-Wood - LeBron James

Tanita S. Davis - Simone Biles

Mariana Dominé
- Lionel Messi

Naaz Khan - Aprar Hassan

Irene Latham - Nelly Korda

Nancy Tupper Ling - Eileen Gu

Guadalupe García McCall - Juan Soto

Edna Cabcabin Moran - Roman Reigns

Darius Phelps - Patrick Mahomes

Glenis Redmond- Coco Gauff

Kim Rogers
- Keenan Allen (Lumbee)

René Saldaña - Ronald Acuña, Jr.

Laura Shovan and Leah Henderson
- Sophia Smith

Sarah Grace Tuttle
- Jessica Long

Charles Waters - Jalen Hurts

Kao Kalia Yang - Suni Lee
--

If I were really on top of things, I might have coordinated my ArtSpeak: WOMEN poem this week with For the Win and gone with a sports theme. But, that's not how my creativity rolls (at least not this week :)!

Today's poem is inspired by a new-to-me artist from the Harper's Bazaar list: Louise Bourgeois. What a fascinating person! Learn more about Louise and the piece I selected, titled "Maman." Louise used her art to face her fears, a theme that came into my poem.

Again, if I were really on top of things, this piece would have been perfect for my interview earlier this month with Shannon Bramer, who shared about her "Dollhouse Spiders."  Alas. But the beauty of ye ol' internet is one can revisit old posts, so yay! Thanks so much for reading.



Today my friend Louise placed me 
in the center of the world

No more shadows for you, she said, and stroked my head
with her sculptor-fingers. Show them your tenderness,
your mender-heart perched on dancer-legs.

Fear set my toes a-tremble. You want me to stitch for them,
to spin?
Louise's smile came soft-sudden as sunshine 
after snow. Let them look at you, she said.
Let them look at you until they can no longer look away.

- Irene Latham

Friday, February 20, 2026

A Palindrome Birthday

 Hello and Happy Poetry Friday! Be sure to visit Susan at Chicken Spaghetti for Roundup.

It's almost my birthday, and it's a palindrome year—55. (I keep thinking: "I can't drive 55.":) Hooray! And happy birthday to my birthday twin Ruth and the many other Poetry Friday friends who have birthdays this time of year.

In other news, Tuesday 2-Minute Writing Tip 27 is about "Writers Who Give Me Courage." I'm so grateful to so many writers, and in this episode I mention a few.

Who are the writers who give you courage?? 

Also, in honor of Year of the Fire Horse, I wanted to share a few "horse" poems from ye ol' blog:

Anatomy of a Horse

Wild Horse

When a Horse Writes a Poem

Before the Race

This week's ArtSpeak: WOMEN is after a piece by one of my favorite artists Frida Kahlo. A dream of mine is to visit the Frida Kahlo Museum (La Casa Azul) in Mexico City. After last week's poem about a newborn, this poem is about death. It's also a Golden Shovel, featuring watermelons and a quote from Frida's journal just a few days before her death. Normally I would steer clear of choosing a striking line with awkward ending-line words like "the" and "is." But it's Frida! And I love the quote. So I decided to roll with it. Thanks so much for reading.


Watermelon, you


are sweet, and I

am red with hunger and hope.

You crack yourself open while I fold into the

corner of wanting. Won't you show me the exit?

Teach me how to hold the sun when the day is

anything but joyful.


- Irene Latham


p.s. Question for the hive: Do you prefer the striking line to be in bold, or not?

Friday, February 13, 2026

Nightmare Jones by Shannon Bramer

 Hello and welcome to Poetry Friday! Be sure to visit Robyn at Life on the Deckle Edge for Roundup.

  Quick question for the Poetry Friday community: are any of you accepting members in your poetry critique groups? Or do you know of groups who are accepting members? (Asking for a striving children's poet!) Please reply to my email irene (at) irenelatham (dot) com. Thank you!

Also: this week's Tuesday 2-Minute Writing Tip #26 is something I shared at Boyds Mills (Highlights) Poetry Palooza: a poem is a bird (not a birdcage). Click here to listen!

Today I'm excited to welcome Shannon Bramer to Live Your Poem! I fell in love with Shannon's work when I read her first book Climbing Shadows (illus. by Cindy Derby, House of Anansi/Groundswood Press, 2019). Read my blog post here. Shannon's voice is entirely her own, and her poems are full of surprises, which I love! 


Shannon hails from Canada. She's also a mom and a playwright. She doesn't have a website (yet!). The illustrator Irene Luxbacher, who worked on Shannon's book Robot, Unicorn, Queen, inspired "Auntie Irene" (!!) in one of my favorite poems in Shannon's newest collection, Nightmare Jones, illus. by Cindy Derby, House of Anansi/Groundswood Press, 2025. The poem is called "Dollhouse Spiders."



poem by Shannon Bramer; illus. by Cindy Derby


Dollhouse Spiders

Aunt Irene is finer than fine;

she keeps them as pets.

A brown recluse; a few clowns —

a tirade of tiny bird spiders, a trickle

of starlight spiders going up

and down the stairs; Auntie Irene

listens to them, she hears their legs click

on the tiny windows, the woosh

of unraveling silk when they work

on their webs. At night there is

tinkling on the keys of the dollhouse

piano, the ghosts of gone spiders

in spindly shadows on the moonlit

walls. I shrink myself down to the size

of a spider at sleepovers

with Auntie I. We listen.

We love the splendid spider music.


- Shannon Bramer


Y'all: I am an "Auntie I" so of course I loved seeing my name featured in such a brilliant poem! 

(Aside: have you read The Winter of the Dollhouse by Laura Amy Schlitz? Wonderful!!)

And now, please welcome Shannon Bramer! Find below her responses to four simple prompts inspired by my book Fresh Delicious: Poems from the Farmer's Market (coming in paperback April 7, 2026!), about her new book Nightmare Jones. Enjoy!


FRESH

Shannon Bramer
SB: I've been writing poems since I was eleven years old, and I remember vividly the wonder and anxiety of getting a fresh notebook, how natural and urgent it was for me to write, but also what came with it--a pang of stress, thinking about how my words might also somehow sully the perfect, empty pages of the new book. It is still that way for me today; writing poems can sometimes feel like treading on freshly fallen snow. I have a fear of the mess I might make on the undisturbed landscape, that what I might write might expose some mistake in my thinking, the flaws in my heart. At the same time, I have always felt comforted by the infinite patience of the empty page; knowing it would always be there for me, waiting, without judgment. Nightmare Jones is a book of poems that makes room for all the tension inside me as a writer and human being. I felt nervous and uncertain writing many of the poems in the book, facing some of my feelings and exploring childhood images, worries, and thoughts that have followed me into adulthood. But that was the point of it: it's all allowed--the joy, the play, the discomfort as well. It all belongs in poetry. When I wrote Nightmare Jones, I felt like a bus driver, pulling over at every stop and letting every strange character and complicated feeling I met in for the ride.


DIFFICULT


SB:
I miss being in the world of Nightmare Jones. Badlonely, Auntie Irene, the wonderous mermaid-like creature Cindy Derby illuminated so perfectly for "If She Was a Monster"--all the characters in the book are so deeply lovable to me that I'm finding it challenging to move on to another project.

Cindy Derby is a puppeteer and has an extensive background in theatre; in Nightmare Jones, Cindy's illustrations are as mysterious and suggestive as a theatrical set. I have a little dream to bring Nightmare Jones to life on stage somehow; in my mind, I see enormous puppets, glittering monsters high up on stilts, and a child that is the boss of it all. The child pulls all the strings.


DELICIOUS

SB: Words are my favourite food...but when I'm not writing, I love cooking for my family. I love discovering a new recipe or digging up an old one, figuring out a change or adaptation I might make if I don't have all the ingredients on hand. I also enjoy dining out very much, especially lunch, because lunch reminds me of my grandmother, who took me out often on weekends when I visited her. One of my favourite things about visiting a restaurant is investigating the menu. A menu is such a gorgeous and revealing artifact. I delight in all the menus--the busy, sticky menus--the austere, elegant menus--because a menu is the table of contents of a restaurant, there is history in a menu, stories, and sometimes even lies (sorry, we used to offer that but we don't anymore!). When the idea for a restaurant in the underworld popped up in my mind for Nightmare Jones--I ran with it. The poem is simply entitled "Welcome to Persephone's" and it's where to go if you'd like some Hurt Thoughts Soda with Frozen Rosehips or some Deep-Fried Questions with Red Ripper Sauce. Someday I'd like to write an entire book of menu poems for imaginary restaurants. My eleven-year-old son is convinced my next book will be a "funny but poetic" cookbook (about pickles!?).


ANYTHING ELSE

SB: 

yellow crab spider
Eight Legs: The Story of Dollhouse Spiders

1.

I'm scared of spiders because I can feel them thinking.


2.

I met a thumb-sized wolf spider one morning while making my bed in a small sleeping cabin in Northern Ontario, Canada. It's likely, or at least very possible, that the spider had been in bed with me all night.

3.

I was writing and re-writing a poem called "Dollhouse Spiders" for a new book I had already titled Nightmare Jones. While I was writing I was thinking about my friend, Irene. I wanted someone to be with me inside that poem, so I chose her.

4.

I shook the sheets to urge the wolf out of my bed, but I did not try to kill it. I let it go. (It might come back.)

kiddos with Irene Luxbacher

5.

The name Irene is derived from the Greek word for peace. Auntie I is the brave teacher in each of our own hearts, the one who chooses curiosity and wonder over fear. Deep Underwater, by Irene Luxbacher, is about finding peace deep inside yourself. It's also how I found Auntie I.

6.

You can be scared of something beautiful. You can be terrified. Sometimes you need someone beside you.

7.

The elegant black spider, in that moment of emerging and being spotted by me, froze, as I did, and we saw each other.

Small Shannon

8.

In the universe of Dollhouse Spiders the child is little Shanny (me!) and I choose my family. I choose a sleepover with Auntie I, who always makes me feel safe. We listen. We love the splendid spider music.




THANK YOU, SHANNON! Splendid spider music, indeed! 

Y'all, don't miss Shannon's books. They are special!


Now for today's ArtSpeak: WOMEN. The next artist on the Harper's Bazaar list is Harlem Renaissance sculptor Augusta Savage. Her work is amazing! It would have been fun to write a poem today about a spider or a dollhouse, but when I looked at the online offerings of Augusta's work, I was drawn to her sculpture of a new baby. I'm lucky that my good friend Pat often shares pics of her two great-grandbabies (and two more on the way!), so I have the sweetness of infants often in my life! 

Process notes: I started this poem as a tricube. I've written a lot of tricubes, and last week Amy LV at the Poem Farm urged us to Try Try Try a Tricube. But I needed more lines, so I let the poem break free from the tricube form (I was finding the baby in the stone, just like Augusta!). The tricube work did leave me with mostly 3-syllable lines and some enjambment that I really like: "you, my heart," so YAY! Thanks so much for reading.


To a Newborn


You've crash-
landed in a blue
universe

your cheeks—round
ears—perfect
seashells

your bright eyes
blink-blinking

when I hold
you, my heart
finds its orbit

o small Star,
welcome!
You are home!

-Irene Latham


Friday, February 6, 2026

Can Poems Fall in Love?

Hello and Happy Poetry Friday! Be sure to visit Molly at Nix the Comfort Zone for Roundup.

Exciting news: next week Shannon Bramer will be here to talk about her book Nightmare Jones (illus. by Cindy Derby)!

For today I've got a new Tuesday 2-Minute Writing Tip for you...and it was inspired by a Mary Lee Hahn poem she shared on a Poetry Friday post last year. Thanks, Mary Lee!


It's February, which means hearts are everywhere! Perhaps that's why today's ArtSpeak: WOMEN poem is a love poem of sorts. It's also a color poem because I was stuck, so I pulled out my Sherwin-Williams color chip case. (Every poet should have one, yes?)


I "matched" colors with the colors on this gorgeous Georgia O'Keeffe piece, and voila! Thanks so much for reading.


On the Day This Poem Fell in Love


the world was briny,
cloudless

sky streaked with gaiety
and knockout orange

earth pulsing green vibes
tipped with the taste

of juneberry—
that free spirit of the forest—

and every canyon yawned
freshwater and rapture blue

- Irene Latham