Friday, February 27, 2026

Sports and Spiders!

 Hello and Happy Poetry Friday! Be sure to visit Margaret at Reflections on the Teche for Roundup.

This week's Tuesday 2-Minute Writing Tip 28 "Contracts, Not Handshakes" touches upon the business side of writing and includes a real-life cautionary tale.


Next Tuesday (March 3, 2026) is the release date for For the Win: Poems Celebrating Phenomenal Athletes, poems selected by Irene Latham and Charles Waters, brought to us by the good folks at Carolrhoda/Lerner Publishing Group. 

Y'all, I am not a sports person. (POETRY is my sport!) This anthology was Charles' idea, and I, pretty much always being up for a challenge, said yes! 

I do love sports stories and athlete stories (and the Olympics!), which are so like creator-stories, all full of dreams and training and setbacks and inspiration and achievement...and I love how this book showcases moments from ALL of it, not just the glory days.

So much gratitude to the following poets—and the athletes!—who were a dream to work with:

Jaime Adoff - Mookie Betts

Lacresha Berry - A’ja Wilson

Jay Brazeau - Connor McDavid

JaNay Brown-Wood - LeBron James

Tanita S. Davis - Simone Biles

Mariana Dominé
- Lionel Messi

Naaz Khan - Aprar Hassan

Irene Latham - Nelly Korda

Nancy Tupper Ling - Eileen Gu

Guadalupe García McCall - Juan Soto

Edna Cabcabin Moran - Roman Reigns

Darius Phelps - Patrick Mahomes

Glenis Redmond- Coco Gauff

Kim Rogers
- Keenan Allen (Lumbee)

René Saldaña - Ronald Acuña, Jr.

Laura Shovan and Leah Henderson
- Sophia Smith

Sarah Grace Tuttle
- Jessica Long

Charles Waters - Jalen Hurts

Kao Kalia Yang - Suni Lee
--

If I were really on top of things, I might have coordinated my ArtSpeak: WOMEN poem this week with For the Win and gone with a sports theme. But, that's not how my creativity rolls (at least not this week :)!

Today's poem is inspired by a new-to-me artist from the Harper's Bazaar list: Louise Bourgeois. What a fascinating person! Learn more about Louise and the piece I selected, titled "Maman." Louise used her art to face her fears, a theme that came into my poem.

Again, if I were really on top of things, this piece would have been perfect for my interview earlier this month with Shannon Bramer, who shared about her "Dollhouse Spiders."  Alas. But the beauty of ye ol' internet is one can revisit old posts, so yay! Thanks so much for reading.



Today my friend Louise placed me 
in the center of the world

No more shadows for you, she said, and stroked my head
with her sculptor-fingers. Show them your tenderness,
your mender-heart perched on dancer-legs.

Fear set my toes a-tremble. You want me to stitch for them,
to spin?
Louise's smile came soft-sudden as sunshine 
after snow. Let them look at you, she said.
Let them look at you until they can no longer look away.

- Irene Latham

Friday, February 20, 2026

A Palindrome Birthday

 Hello and Happy Poetry Friday! Be sure to visit Susan at Chicken Spaghetti for Roundup.

It's almost my birthday, and it's a palindrome year—55. (I keep thinking: "I can't drive 55.":) Hooray! And happy birthday to my birthday twin Ruth and the many other Poetry Friday friends who have birthdays this time of year.

In other news, Tuesday 2-Minute Writing Tip 27 is about "Writers Who Give Me Courage." I'm so grateful to so many writers, and in this episode I mention a few.

Who are the writers who give you courage?? 

Also, in honor of Year of the Fire Horse, I wanted to share a few "horse" poems from ye ol' blog:

Anatomy of a Horse

Wild Horse

When a Horse Writes a Poem

Before the Race

This week's ArtSpeak: WOMEN is after a piece by one of my favorite artists Frida Kahlo. A dream of mine is to visit the Frida Kahlo Museum (La Casa Azul) in Mexico City. After last week's poem about a newborn, this poem is about death. It's also a Golden Shovel, featuring watermelons and a quote from Frida's journal just a few days before her death. Normally I would steer clear of choosing a striking line with awkward ending-line words like "the" and "is." But it's Frida! And I love the quote. So I decided to roll with it. Thanks so much for reading.


Watermelon, you


are sweet, and I

am red with hunger and hope.

You crack yourself open while I fold into the

corner of wanting. Won't you show me the exit?

Teach me how to hold the sun when the day is

anything but joyful.


- Irene Latham


p.s. Question for the hive: Do you prefer the striking line to be in bold, or not?

Friday, February 13, 2026

Nightmare Jones by Shannon Bramer

 Hello and welcome to Poetry Friday! Be sure to visit Robyn at Life on the Deckle Edge for Roundup.

  Quick question for the Poetry Friday community: are any of you accepting members in your poetry critique groups? Or do you know of groups who are accepting members? (Asking for a striving children's poet!) Please reply to my email irene (at) irenelatham (dot) com. Thank you!

Also: this week's Tuesday 2-Minute Writing Tip #26 is something I shared at Boyds Mills (Highlights) Poetry Palooza: a poem is a bird (not a birdcage). Click here to listen!

Today I'm excited to welcome Shannon Bramer to Live Your Poem! I fell in love with Shannon's work when I read her first book Climbing Shadows (illus. by Cindy Derby, House of Anansi/Groundswood Press, 2019). Read my blog post here. Shannon's voice is entirely her own, and her poems are full of surprises, which I love! 


Shannon hails from Canada. She's also a mom and a playwright. She doesn't have a website (yet!). The illustrator Irene Luxbacher, who worked on Shannon's book Robot, Unicorn, Queen, inspired "Auntie Irene" (!!) in one of my favorite poems in Shannon's newest collection, Nightmare Jones, illus. by Cindy Derby, House of Anansi/Groundswood Press, 2025. The poem is called "Dollhouse Spiders."



poem by Shannon Bramer; illus. by Cindy Derby


Dollhouse Spiders

Aunt Irene is finer than fine;

she keeps them as pets.

A brown recluse; a few clowns —

a tirade of tiny bird spiders, a trickle

of starlight spiders going up

and down the stairs; Auntie Irene

listens to them, she hears their legs click

on the tiny windows, the woosh

of unraveling silk when they work

on their webs. At night there is

tinkling on the keys of the dollhouse

piano, the ghosts of gone spiders

in spindly shadows on the moonlit

walls. I shrink myself down to the size

of a spider at sleepovers

with Auntie I. We listen.

We love the splendid spider music.


- Shannon Bramer


Y'all: I am an "Auntie I" so of course I loved seeing my name featured in such a brilliant poem! 

(Aside: have you read The Winter of the Dollhouse by Laura Amy Schlitz? Wonderful!!)

And now, please welcome Shannon Bramer! Find below her responses to four simple prompts inspired by my book Fresh Delicious: Poems from the Farmer's Market (coming in paperback April 7, 2026!), about her new book Nightmare Jones. Enjoy!


FRESH

Shannon Bramer
SB: I've been writing poems since I was eleven years old, and I remember vividly the wonder and anxiety of getting a fresh notebook, how natural and urgent it was for me to write, but also what came with it--a pang of stress, thinking about how my words might also somehow sully the perfect, empty pages of the new book. It is still that way for me today; writing poems can sometimes feel like treading on freshly fallen snow. I have a fear of the mess I might make on the undisturbed landscape, that what I might write might expose some mistake in my thinking, the flaws in my heart. At the same time, I have always felt comforted by the infinite patience of the empty page; knowing it would always be there for me, waiting, without judgment. Nightmare Jones is a book of poems that makes room for all the tension inside me as a writer and human being. I felt nervous and uncertain writing many of the poems in the book, facing some of my feelings and exploring childhood images, worries, and thoughts that have followed me into adulthood. But that was the point of it: it's all allowed--the joy, the play, the discomfort as well. It all belongs in poetry. When I wrote Nightmare Jones, I felt like a bus driver, pulling over at every stop and letting every strange character and complicated feeling I met in for the ride.


DIFFICULT


SB:
I miss being in the world of Nightmare Jones. Badlonely, Auntie Irene, the wonderous mermaid-like creature Cindy Derby illuminated so perfectly for "If She Was a Monster"--all the characters in the book are so deeply lovable to me that I'm finding it challenging to move on to another project.

Cindy Derby is a puppeteer and has an extensive background in theatre; in Nightmare Jones, Cindy's illustrations are as mysterious and suggestive as a theatrical set. I have a little dream to bring Nightmare Jones to life on stage somehow; in my mind, I see enormous puppets, glittering monsters high up on stilts, and a child that is the boss of it all. The child pulls all the strings.


DELICIOUS

SB: Words are my favourite food...but when I'm not writing, I love cooking for my family. I love discovering a new recipe or digging up an old one, figuring out a change or adaptation I might make if I don't have all the ingredients on hand. I also enjoy dining out very much, especially lunch, because lunch reminds me of my grandmother, who took me out often on weekends when I visited her. One of my favourite things about visiting a restaurant is investigating the menu. A menu is such a gorgeous and revealing artifact. I delight in all the menus--the busy, sticky menus--the austere, elegant menus--because a menu is the table of contents of a restaurant, there is history in a menu, stories, and sometimes even lies (sorry, we used to offer that but we don't anymore!). When the idea for a restaurant in the underworld popped up in my mind for Nightmare Jones--I ran with it. The poem is simply entitled "Welcome to Persephone's" and it's where to go if you'd like some Hurt Thoughts Soda with Frozen Rosehips or some Deep-Fried Questions with Red Ripper Sauce. Someday I'd like to write an entire book of menu poems for imaginary restaurants. My eleven-year-old son is convinced my next book will be a "funny but poetic" cookbook (about pickles!?).


ANYTHING ELSE

SB: 

yellow crab spider
Eight Legs: The Story of Dollhouse Spiders

1.

I'm scared of spiders because I can feel them thinking.


2.

I met a thumb-sized wolf spider one morning while making my bed in a small sleeping cabin in Northern Ontario, Canada. It's likely, or at least very possible, that the spider had been in bed with me all night.

3.

I was writing and re-writing a poem called "Dollhouse Spiders" for a new book I had already titled Nightmare Jones. While I was writing I was thinking about my friend, Irene. I wanted someone to be with me inside that poem, so I chose her.

4.

I shook the sheets to urge the wolf out of my bed, but I did not try to kill it. I let it go. (It might come back.)

kiddos with Irene Luxbacher

5.

The name Irene is derived from the Greek word for peace. Auntie I is the brave teacher in each of our own hearts, the one who chooses curiosity and wonder over fear. Deep Underwater, by Irene Luxbacher, is about finding peace deep inside yourself. It's also how I found Auntie I.

6.

You can be scared of something beautiful. You can be terrified. Sometimes you need someone beside you.

7.

The elegant black spider, in that moment of emerging and being spotted by me, froze, as I did, and we saw each other.

Small Shannon

8.

In the universe of Dollhouse Spiders the child is little Shanny (me!) and I choose my family. I choose a sleepover with Auntie I, who always makes me feel safe. We listen. We love the splendid spider music.




THANK YOU, SHANNON! Splendid spider music, indeed! 

Y'all, don't miss Shannon's books. They are special!


Now for today's ArtSpeak: WOMEN. The next artist on the Harper's Bazaar list is Harlem Renaissance sculptor Augusta Savage. Her work is amazing! It would have been fun to write a poem today about a spider or a dollhouse, but when I looked at the online offerings of Augusta's work, I was drawn to her sculpture of a new baby. I'm lucky that my good friend Pat often shares pics of her two great-grandbabies (and two more on the way!), so I have the sweetness of infants often in my life! 

Process notes: I started this poem as a tricube. I've written a lot of tricubes, and last week Amy LV at the Poem Farm urged us to Try Try Try a Tricube. But I needed more lines, so I let the poem break free from the tricube form (I was finding the baby in the stone, just like Augusta!). The tricube work did leave me with mostly 3-syllable lines and some enjambment that I really like: "you, my heart," so YAY! Thanks so much for reading.


To a Newborn


You've crash-
landed in a blue
universe

your cheeks—round
ears—perfect
seashells

your bright eyes
blink-blinking

when I hold
you, my heart
finds its orbit

o small Star,
welcome!
You are home!

-Irene Latham


Friday, February 6, 2026

Can Poems Fall in Love?

Hello and Happy Poetry Friday! Be sure to visit Molly at Nix the Comfort Zone for Roundup.

Exciting news: next week Shannon Bramer will be here to talk about her book Nightmare Jones (illus. by Cindy Derby)!

For today I've got a new Tuesday 2-Minute Writing Tip for you...and it was inspired by a Mary Lee Hahn poem she shared on a Poetry Friday post last year. Thanks, Mary Lee!


It's February, which means hearts are everywhere! Perhaps that's why today's ArtSpeak: WOMEN poem is a love poem of sorts. It's also a color poem because I was stuck, so I pulled out my Sherwin-Williams color chip case. (Every poet should have one, yes?)


I "matched" colors with the colors on this gorgeous Georgia O'Keeffe piece, and voila! Thanks so much for reading.


On the Day This Poem Fell in Love


the world was briny,
cloudless

sky streaked with gaiety
and knockout orange

earth pulsing green vibes
tipped with the taste

of juneberry—
that free spirit of the forest—

and every canyon yawned
freshwater and rapture blue

- Irene Latham